![]() Otherwise, we found Adobe Lightroom to work pretty perfectly as normal. You’ll also end up gravitating to certain ones that Adobe will recognize and consider those to be your favorites. Like many of us did when we first started working with Lightroom, you’ll sometimes feel like you’re just messing around until you get something pleasing to the eye. They’re all very nice looking in the right situations. Again, we’re not sure why but we’re willing to say it’s a bug of some sort that’s going to get fixed.Īdobe has a number of other options though including Vintage, Modern, Artistic, and Black and White. But in the beta version of Adobe Lightroom Classic CC that we tested, they were always rendered in black and white. For example, some of the Legacy profiles we own were once associated with AlienSkin, RNI Films and more. Then we’d reopen it and the image would have the profile associated with the image we were editing. ![]() On the Mac, every time we used a new Profile that wasn’t Adobe’s own, the program would crash. ![]() At first, we thought all of these presets listed were in fact actually camera profiles instead, but the file names lined up with the names of the presets. The good news is our presets still worked. That’s a pretty large update that helps synchronize their entire cloud system! But from what we found with the Beta version, it doesn’t really allow you to organize your presets in your own way (i.e. This now means that one single preset or profile is compatible with the entire range of ACR and Lightroom products, making for much easier workflows.” ![]() We built in a translator into Lightroom Classic CC to convert from. “ACR and our servers used XMP whereas Lightroom Classic CC used. We ask ed Adobe about why they made this change, here’s what they said: This more or less created a duplication of the presets on our iMac’s hard drive. The presets all still worked but off of the new XMP option. Chris had a video about what was going on here, but we decided to scrap it the day before the announcement due to so many inconsistencies. We thought this was odd, so we went a bit deeper. When this was done it gave us a pretty long list of presets that didn’t sync. As we attempted to begin an edit though, there was something else going on: Adobe Lightroom Classic CC stated it was converting our preset library to XMP files. So we dove right into it. Adobe Lightroom Classic CC started up and indeed there was the new Profiles setup on the top right underneath the histogram. When we first heard about the new changes, we were really intrigued. On the MacĪdobe sent us the latest version of Adobe Lightroom Classic CC for the Mac to test out. This test, which is a joint test between staffer Paul Ip and Editor in Chief Chris Gampat, was done on the Mac, PC and the iPad partially because Lightroom CC syncs across a number of platforms. We’ve been playing with the new Adobe Lightroom Classic CC update for a little while now on the Mac, PC and the iPad Air 2. In addition to that, Adobe has added a number of their own options. And for Canon, there are options like Faithful, Landscape, etc. For Sony, being able to add something like their Portrait or Clear simulation is also pretty big. For Fujifilm users, being able to apply the Astia, Velvia or Acros film simulations are huge–and Profiles did those. Profiles are pretty big if you wanted your RAW image to look the way that the JPEG preview did. They’re first and foremost moving to the top of the interface and Adobe has been working with a number of third party companies to create even more. Today, Adobe Lightroom Classic CC is receiving a pretty big update: the way camera profiles work is getting a revamp. Adobe Lightroom Classic CC just got a big update involving the way Profiles work
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